“Hot in the City” is a 1982 song by Billy Idol, released on his self-titled album. It charted at No. 23 in the US and No. 58 in the UK. A re-release of the song in the UK in 1987 reached No. 13.
There are two versions of the video. The first version (the 1982 version) starts off with a girl walking into a record store. She picks up a Billy Idol record and the song starts to play. The video features scenes from New York City, interspersed with stock footage of nuclear bomb tests. The second version (the 1987 version) was banned by MTV because it showed Idol’s girlfriend Perri Lister bound to a cross toward the end of the video. The later version was included on the DVD edition of The Very Best of Billy Idol: Idolize Yourself black and football socks.
Although the released version of the song has Idol shouting “New York!” refillable water bottle, other versions of the song were recorded for various radio stations, including ones for such cities as “Boston”, “Amarillo”, “Minneapolis” and “New Haven”.
In 1986, the Norwegian swing/pop duo Bobbysocks soccer jerseys wholesale! did a cover on their LP Waiting for the Morning.
The song was used as the introduction for Booker, the TV series spin-off of 21 Jump Street. It is also featured in the 1988 hit film, Big, starring Tom Hanks.
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Fritz Sperling (ur. 1 sierpnia 1945 w Innsbrucku) – austriacki bobsleista, dwukrotny medalista mistrzostw świata.
Pierwszy sukces osiągnął w 1972 roku, kiedy zdobył srebrny medal w czwórkach podczas mistrzostw Europy w St extra long football socks. Moritz. Na rozgrywanych rok później mistrzostwach świata w Lake Placid wspólnie z Wernerem Delle Karthem, Walterem Delle Karthem i Hansem Eichingerem zdobył srebrny medal w tej konkurencji. Ponadto reprezentacja Austrii w tym samym składzie zajęła także trzecie miejsce w czwórkach podczas mistrzostw świata w St. Moritz w 1974 roku. Sperling zdobył też między innymi złoty medal mistrzostw Europy w czwórkach w 1978 roku i brązowy w dwójkach w 1973 roku.
W 1972 roku wystartował na igrzyskach olimpijskich w Sapporo, zajmując siódme miejsce w czwórkach i trzynaste w dwójkach. Na rozgrywanych cztery lata później igrzyskach w Innsbrucku był odpowiednio siódmy i czwarty water bottle rack. Brał także udział w igrzyskach w Lake Placid w 1980 roku, zajmując siódme miejsce w dwójkach i czwarte w czwórkach.
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Unter Freunden (Originaltitel: Entre amis) ist eine französische Filmkomödie aus dem Jahr 2015 mit Daniel Auteuil, Gérard Jugnot, François Berléand und Zabou Breitman. Der unter der Regie von Olivier Baroux entstandene Film feierte am 20 chelsea football shirt. März 2015 in Lyon Premiere.
Richard, Gilles und Philippe sind seit über 40 Jahren befreundet. Wie üblich fahren sie gemeinsam mit ihren Frauen in den Sommerurlaub, wobei sie diesmal eine Yacht chartern, um nach Korsika zu segeln sells goalie gloves. Das Zusammenleben auf dem Boot erweist sich jedoch als wenig harmonisch, da die Clique vor allem durch Richards neue, deutlich jüngere Freundin Daphnée durcheinandergewirbelt wird. Ein plötzlich aufziehender Sturm macht die Stimmung endgültig zunichte.
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„Der turbulente Film ist durchaus unterhaltsam, jedoch fehlt dem Drehbuch ein wenig die klare Linie“, so David Steinitz auf programmkino.de. „[A]nstelle von echten Konflikten mit komischem Potenzial gibt es jede Menge Chaos, Clownerien und einen veritablen Zickenkrieg the best meat tenderizer. Das ist hübsch anzusehen und teilweise wirklich lustig, doch erst spät wird deutlich, was der Film eigentlich erzählen will.“
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Linwood House was built as the homestead for Joseph Brittan, who as surgeon, newspaper editor, and provincial councillor, was one of the dominant figures in early Christchurch, New Zealand. The suburb of Linwood was named after Brittan’s farm and homestead. Brittan’s daughter Mary married William Rolleston, and they lived at Linwood House following Joseph Brittan’s death. During that time, Rolleston was the 4th (and last) Superintendent of the Canterbury Province, and Linwood House served for many important political and public functions.
The property went through many changes in ownership. Land was successively subdivided; at its peak, 110 acres (450,000 m2) of land belonged to Linwood House, of which only 2,013 square metres (21,670 sq ft) remain. For some years, Linwood House was used as a private day and boarding school for girls. The house declined during the mid 20ths century, was used for flats for several decades, and was in 1985 described by an historian as the “city’s worst example of a house which should be preserved being left to decay”. The house’s fortunes improved when it was purchased in 1988 by people sympathetic to heritage. Gradually being restored, Linwood House suffered significant damage in the 2010 Canterbury earthquake and partially collapsed in the 2011 Christchurch earthquake. Civil Defence ordered the building’s demolition, which was carried out in the second half of 2011.
Architecturally, Linwood House was a rare example of a late Georgian / Regency style house in Canterbury. It had historical importance as one of the oldest surviving houses in Christchurch. The building’s association with Joseph Brittan and especially William Rolleston made it socially important.
Linwood House was located at 30 Linwood Avenue in Linwood, Christchurch. Originally located on 50 acres (20 ha) of rural section (RS) 300, and after the adjacent RS 301 was added, the total size of the land holding was 110 acres (45 ha). After numerous subdivisions, the size of the section was 2,013 square metres (21,670 sq ft). The Christchurch suburb of Linwood was named after Brittan’s farm and homestead.
Brothers Guise and Joseph Brittan, and their friend Charles Fooks had in common that they all married one of the four Chandler daughters. The Brittans were surgeons, whilst Fooks was an architect. Guise Brittan held a role of responsibility for the Canterbury Association, and he came to Christchurch on the Sir George Seymour in December 1850, and his wife and four children travelled with him. Fooks went with them, but left his family behind in England.
Joseph Brittan’s wife Elizabeth Mary had died in 1849. He remarried in a manner that was illegal at the time, socially unacceptable and causing a scandal—he took Elizabeth’s sister Sophia, the fourth Chandler daughter, as his second wife. The newly-weds reacted to the scandal in a way that was not unusual at the time; they left their problems behind and emigrated, which they did a month after the ceremony. They sailed for Christchurch on the William Hyde, which left Deal, Kent on 21 October 1851 and arrived in Lyttelton on 5 February 1852. Mrs Fooks and her two daughters came to New Zealand with Joseph Brittan’s family. By mid-1852, Joseph Brittan purchased RS 300, comprising rural land about 2 kilometres (1.2 mi) east of Cathedral Square.
In 1855/56, Guise Brittan had Englefield Lodge built on land alongside the Avon River just outside the initial town area (these days the area to the east of Fitzgerald Avenue). Joseph Brittan chose land a short distance downstream along the Avon River and had his homestead, Linwood House, built in 1857. Fooks was the architect for Linwood House, and, based on an assessment by art historian Dr Ian Lochhead, it is likely that he also designed Englefield Lodge. Joseph Brittan called his property and farm Linwood after his home in Linwood, Hampshire.
Joseph Brittan had varied interests and immediately upon arrival in Christchurch, joined others in various activities. He played cricket in Hagley Park within a fortnight of reaching Christchurch, and later helped improve the grounds and raised money for fencing the area. He was into horse racing, later bred horses, and Canterbury’s first steeplechase was held on his Linwood farm. The Brittans were into music and his wife Sophia Brittan brought her piano from England. Joseph Brittan had a portable harmonium and as in the early years, Lyttelton was culturally more important than Christchurch, he joined a musical group in the port town. For performances, he walked over the Bridle Path with the instrument strapped to his back. Musical evenings were also held at the Brittan home.
About half way between Englefield and Linwood was Holy Trinity Avonside, at the time a cob church. Guise Brittan was its churchwarden. The whole Brittan family had a close connection to the church, with Joseph Brittan helping to raise money for its construction, and his daughter Mary singing in the church choir. They faithfully attended church on Sundays.
Tragedy struck on 1 January 1862 rosle meat tenderizer, when his son Arthur drowned in the Avon River while learning to swim. He got entangled in watercress, which the Brittans themselves had introduced to the Avon, and his body was only found after a good half-hour. Arthur had left school by then and was helping his father on the farm. Joseph Brittan was heartbroken and signs were that he had a period of depression. Soon after the drowning, he advertised for both a dairyman and a farmworker. He even put Linwood House up for sale, but no property transaction was recorded.
William Rolleston, at the time Provincial Secretary, proposed to Mary Brittan in early 1865. He was 34 at the time, and she was 19 lint pills. Both Joseph and Sophia Brittan were opposed to a marriage, which is surprising, given that Rolleston was intelligent, well educated, successful, and if anything, of higher social standing. They thought him too old for their daughter, her too young to marry. Maybe Sophia Brittan did not want to lose her daughter, who was in effect running the household and entertained guests, as she was often too ill to look after these tasks herself. But Rolleston was offered and accepted the role of Under Secretary for Native Affairs, which required moving to Wellington. Hence, the wedding went ahead on 24 May 1865 at Avonside Trinity Church, before the newly-weds moved to the capital.
Joseph Brittan’s health declined during 1867. Of distress for the family were the financial affairs, with various debts that only Joseph knew about. Rolleston tried to give financial advice to both Sophia and her son Frank, but he was ignored. Joseph Brittan died on 27 October 1867 at Linwood House.
Brittan Street in Linwood, named after Joseph Brittan, first appeared in street directories in 1892. Today, the Linwood House section fronts onto both Linwood Avenue and Brittan Street.
Sophia Brittan inherited the house and land from her late husband. Initially, it was left to her son Frank to run the farm. In 1868, there were rumours that William Sefton Moorhouse would resign as Canterbury Superintendent, and Rolleston was encouraged to make himself available. He returned to Christchurch, whilst his wife Mary and their two children remained in Wellington. Rolleston was elected unopposed on 22 May 1868. And on 8 June, he was elected to Parliament in the 1868 by-election in the Avon electorate. Late in 1868, the Rollestons moved back to Christchurch to live at Linwood House. This was a delicate affair, as this made conditions cramped (Sophia, her sons Joe and Frank, the Rollestons with their two children, plus servants made for cramped living in the eight rooms), and there has always been tension between William Rolleston and Frank Brittan. Mary Rolleston arranged for her oldest brother Joe, who had some disability, to live with his aunt, Mrs Fooks. Charles Fooks was imprisoned at that time, and it was good for Mrs Fooks to have a male live with her. The Rollestons paid rent, which helped Sophia Brittan service the mortgage. With Rolleston Superintendent until the abolition of Provincial Government at the end of 1876, Linwood House hosted many important social and political functions.
Linwood farm was used for sporting events. In July 1876, the Christchurch rugby team met their South Canterbury counterparts from Timaru (Christchurch won the game), and in May 1877, the Canterbury Hunt Club met for a steeplechase in the sand hills of the farm.
Sophia Brittan died in August 1877. Whilst the Rollestons had carried the Brittan family financially over the last decade, their contributions went practically unrecognised. Mary Rolleston inherited £400 and the piano, her oldest brother received an annual annuity of £20, and Frank Brittan was given the farm, the house and all its contents. William Rolleston was “shocked, hurt and astonished” by the unfairness of this distribution. Contact between the Rollestons and Frank Brittan all but ceased. Much later in life, Mary Rolleston would see her brother briefly once a year on New Year’s Day at his home, and that was all the contact that they had.
In May 1878, Frank Brittan sold 58 acres (23 ha) of land subdivided into 231 sections for a total of £18,489. He made a handsome profit, as much of the land was purchased three years earlier for £49 per hectare, and he sold the land for some £318 per acre (£127 per ha). Linwood Estate was located east of Stanmore Road, and comprised the extensions of Cashel, Hereford, and Worcester Streets. At the same auction, Brittan sold all his stock and farming implements, as he had bought Kelsie Estate in Selwyn County. Further subdivision followed in 1886.
Edward Hiorns (1838 – 7 July 1912) emigrated in 1862 from England. Originally a plumber and tinsmith, he became a hotelier. From 1881 to 1883, he was a member of Christchurch City Council, and later stood for office on the Linwood Borough Council. Hiorns was Masonic Grand Master of New Zealand, and attended the 1897 Queen Victoria Golden Jubilee in England in that capacity.
Frank Brittan sold Linwood House to Hiorns in 1889, who commissioned architect John Whitelaw to design an extension. This resulted in a drawing room, a billiard room and a study to be added to the house. In 1898, Hiorns leased Linwood House to Sir John Denniston for five years. Hiorns had retired from business and spent some of his time in Sydney. Denniston, the oldest son of Thomas Denniston and married to the daughter of John Bathgate, was a judge at the Supreme Court in Christchurch.
After Denniston had moved out, Hiorns carried out further subdivisions in 1903 and 1905. For a time, Linwood House was reputedly leased to Alexander Boyle. He was one of the founders of Pyne and Co, which later became Pyne Gould Guinness, of which Boyle was chairman of the board.
In September 1903 water bottle for sports, Helen McKee and her mother relocated their boarding and day school for girls, Avonside College, from Inveresk (the former dwelling of John Anderson) to Linwood House. Helen McKee was a daughter of the highly esteemed Rev. David McKee, who came to New Zealand in January 1880 as the first vicar of North Belt Church (later known as Knox Church). The Reverend died after only ten months in New Zealand, though. The congregation provided generously for his widow and her children, and at some point, his wife started a school. Helen McKee became a pupil teacher at Riccarton School in 1887. Avonside College remained at Linwood House until 1911, when it relocated to Rhodes Street and was renamed Meriden College.
The Hiorns returned from Sydney in 1911 and lived at Linwood House. Amelia Hiorns died in December of that year, and Edward Hiorns died on 7 July 1912.
Although the Hiorns had descendants, the estate was managed by the Public Trustee, who put Linwood House up for sale as four sections, with one of those holding the house itself. Three of the sections were purchased by Thomas Marker on 4 June 1913 in an auction, including the one containing the building. Marker paid ₤200 each for the building sections, and ₤1,250 for the section containing the house. The furniture of Linwood House was sold in a separate auction. The house was rented to lawyer Francis Ion Cowlishaw, son of prominent provincial councillor William Patten Cowlishaw (1839–1903). Cowlishaw senior had lived nearby in a house named ‘Chaddesden’, and Cowlishaw Street and Chaddesden Lane are named after the family.
Francis Cowlishaw purchased Linwood House in 1916 for ₤1,592. In 1920, a dance of Christchurch’s social elite was held at Linwood House. Cowlishaw sold the house later that year to Mrs Ethel Pyne, the widow of Frederick Pyne (d. 1915), who was a business partner of former Linwood House lessee Alexander Boyle. Immediately after the purchase, Ethel Pyne engaged Sidney and Alfred Luttrell to design a ₤700 extension to the house, and it is assumed that this was the addition of a second storey to an earlier service wing. Further subdivisions were carried out in 1927 and 1932, after which Linwood House was sold to Florence Simpson in the latter year. Simpson in turn undertook subdivision in 1935, before selling the remainder to Gordon Branthwaite, a solicitor, in 1945. Records reveal that by 1948, there were six residents living at Linwood House, indicating that the house had been set up for flatting in the meantime. Branthwaite subdivided the land behind Linwood House in 1958. He died in 1972, and his widow sold the property in the same year to Advance Buildings (Nelson) Ltd; her daughter was a partner in that company. Local historian John Wilson, who in 1984 wrote the book Lost Christchurch, that year called Linwood House the “city’s worst example of a house which should be preserved being left to decay”.
Paddy and Jacky Snowdon bought the property in 1988. They increased occupancy to seven flats, carried out alterations and achieved compliance with fire regulations. The Snowdons undertook renovations that were long overdue, and that were sympathetic to the historic significance of the building. By 2002, a conservation report had been completed.
Linwood House suffered significant damage in the 2010 Canterbury earthquake. The upstairs and the roof got braced after the event, and this was beneficial when the 2011 Christchurch earthquake struck, but internal walls and fireplaces just “crumbled”. Civil Defence ordered the building’s demolition in March 2011. It was demolished during the second half of 2011.
A symposium was held on 7 December 2012 in Wellington on New Zealand architecture in the 1850s. One of the papers given was “Gentlemen’s residences in 1850s Christchurch: An examination of the homes of William Rolleston and John Cracroft Wilson”.
Linwood House was registered as a heritage building by the New Zealand Historic Places Trust on 17 August 1982 with registration number 3119 classified as D. With the change of the classification system, the building later became a Category II listing.
The 1857 house is in Regency architectural style. It was oriented so that its long side, facing north-east, was roughly parallel to Linwood Avenue. Rectangular in floor plan, the Linwood Avenue frontage had five bays, with the central bay pedimented, which gave the house a symmetrical look. An 1871 photo by Alfred Charles Barker, held by the Canterbury Museum, shows a verandah on the north-west side of the building only. This verandah was later extended to cover the front as well, and it mirrors the pedimented central bay. A hipped roof was hidden behind a balustrade.
The house was constructed in double brick, and it is this unreinforced masonry construction that was unable to cope with the earthquake forces. Upstairs, windows were round-headed. Downstairs, many of the openings were French doors.
The New Zealand Historic Places Trust (NZHPT) was for a time uncertain who the architect was. In about 1995, the last owner’s daughter, when undertaking research for a school assignment, came across the architect’s sketch of Linwood House in the Anglican Church archives, and this proved that Charles Fooks, the brother-in-law of Joseph Brittan, designed the house.
A significant extension was designed in 1889 by John Whitelaw. The south-west wing, ‘behind’ the original house, used the different architectural style of a Victorian villa for the two-storey addition. The NZHPT assumes that at the same time, a single storey extension was built onto the south-east side.
The last significant extension was added in 1920, which was designed by the Luttrell Brothers. The south-east wing was much more in keeping with the original design. It is possible that the architects designed a second storey for the service wing that had been built in 1889. This extension connected the original house with the original washhouse.
In 1972, a kitchen and small toilet were added as a lean-to. These were removed again in ca 1990.
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David J. Kramer was United States Assistant Secretary of State for Democracy, Human Rights, and Labor from 2008 to 2009 running water belt reviews. He was President of Freedom House from October 2010 to November 2014 youth team football jerseys. He is currently the Senior Director for Human Rights and Human Freedoms at the McCain Institute.
David J. Kramer was educated at Tufts University, receiving his B.A. in Soviet Studies and Political Science, and then at Harvard University, receiving his M.A. in Soviet Studies.
After university, Kramer was a Lecturer in Russian Studies at Clark University and a Teaching Fellow at Harvard University. During the collapse of the Soviet Union, he was an analyst for The Christian Science Monitor Network. He later moved to Washington, D.C. and became a Senior Fellow at the Project for the New American Century, Associate Director of the Russian and Eurasian Program at the Carnegie Endowment for International Peace, and Assistant Director of Russian and Eurasian Studies at the Center for Strategic and International Studies.
Kramer then joined the United States Department of State as Executive Director of the United States Advisory Commission on Public Diplomacy. He next served as Special Advisor to the Under Secretary of State for Global Affairs, before becoming a professional staff member for the Policy Planning Staff. From July 2005 to March 2008, he was Deputy Assistant Secretary of State for European and Eurasian Affairs.
In 2008, President of the United States George W. Bush nominated Kramer as Assistant Secretary of State for Democracy, Human Rights, and Labor, and, after Senate confirmation, he held this office from March 21, 2008 to January 20, 2009.
Kramer left his position as a Senior Transatlantic Fellow at the German Marshall Fund to become executive director of Freedom House on October 4, 2010. On June 18, 2014 Freedom House announced that Kramer planned to resign that fall. On October 1, 2014 Freedom House announced that Mark P. Lagon would replace him in 2015. In November 2014 basketball jerseys for cheap, Kramer became the Senior Director for Human Rights and Human Freedom at the McCain Institute.
In February 2013, Kramer caused controversy at the North American Invitational Model United Nations, when Kramer’s opening keynote speech incited a walkout of 300 Chinese visitors.
Kramer is a member of the Ukraine Today media organization’s International Supervisory Council. In 2016 Kramer argued that the Minsk II peace agreement should be scrapped and western sanctions on Russia maintained.
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Jindřichův Hradec (in tedesco Neuhaus) è una città della Repubblica Ceca, capoluogo del distretto omonimo, nella regione della Boemia meridionale.
Nel X secolo, Jindřichův Hradec era già centro amministrativo dello stato Přemyslide meridionale, situato tra i fiumi Nežárka e Hamerský Bach.
Vitek z Prčice ottenne tutta la Boemia meridionale nel 1185 football player t shirts, quando lo colonizzò e più tardi lo divise fra i suoi eredi professional soccer socks. Fondò le famiglie nobili della Boemia meridionale dei von Landštejn, von Stráž e Rosenberg, e divenne signore di Hradec.
È un vasto complesso, sorto alla fine del XII secolo sul luogo di una precedente fortezza successivamente ampliata small reusable water bottles.
Il castello raggiunse il massimo splendore all’epoca di Adamo II di Hradec, quando venne radicalmente trasformato secondo i canoni dell’architettura rinascimentale, sotto la direzione dell’architetto ticinese Baldassare Maggi.
All’inizio del XVII secolo il castello passò nelle mani di Vilém Slavata, protagonista – suo malgrado – della defenestrazione di Praga (1618).
Dopo la guerra dei trent’anni il complesso passò alla famiglia dell’aristocrazia terriera boema dei Czernin von und zu Chudenitz, che continuò a curare i lavori di rinnovamento con la costruzione della cosiddetta “Ala spagnola”. Nel 1773, tuttavia, un incendio danneggiò l’intera area lint shaver australia.
La fortezza medievale, la parte più antica del castello, conserva degli affreschi raffiguranti scene della vita di san Giorgio (1337), un dipinto della Vergine eseguito intorno al 1460 (“Madonna di Jindřichův Hradec”), e la cosiddetta “Cucina nera”.
Gli spazi rinascimentali, invece, con il cosiddetto “Edificio di Adamo”, conservano le “Stanze verdi” e una tela monumentale di Petr Brandl (1721).
Nei giardini del castello, merita una visita la rotonda, con decorazioni in stucco del XVI secolo.
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BioCity Nottingham is a bioscience science park in central Nottingham in the United Kingdom. It is the UK’s largest bioscience innovation and incubation centre.
In 2002, laboratories and office space were donated to Nottingham Trent University by BASF. Biocity was founded in September 2003 by the University of Nottingham, Nottingham Trent University (NTU) and the East Midlands Development Agency (which is based close to BioCity).
Biocity’s premises were developed from the building donated by BASF. Phase 1 was completed in March 2004, providing 36,000 sq ft (3,300 m2) of space, then Phase 2 in March 2006 provided 24,000 sq ft (2,200 m2). When Phase 3 of the development was completed in October 2008, with 45,000 sq ft (4,200 m2) non leak water bottle, funding from emda also finished.
Nottingham has long been an important centre for bioscience research elite socks football, principally through work done at the University of Nottingham, Nottingham Trent University and by Boots, Britain’s largest retail pharmacy company, which is based in Dunkirk/Beeston. Although Boots no longer engages in drug discovery, Ibuprofen (iso-butyl-propanoic-phenolic acid) was created by Boots scientists in Nottingham. In March 2005 Nottingham was named as a Science City; the other 5 Science Cities were Birmingham, Bristol, York, Newcastle and Manchester.
It is in former BASF buildings, which previously were used by Boots as research laboratories.
The on , between the A60 and A612, is for bioscience SMEs. The University of Nottingham has the largest collaboration with companies at BioCity, with a few having links with NTU.
There are three buildings –
In January 2012 BioCity opened a second site, BioCity Scotland, resulting from the acquisition of a former MSD research facility near Glasgow.
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Mordaunt Fenwick Bisset (1825 – c.August 1884) was a British Conservative Party politician and famous west-country Master of Staghounds.
He was the only son of the Venerable Maurice Fenwick (1797–1879), Rector of Drumholm and Archdeacon of Raphoe, both in County Donegal, Ireland, son of William Fenwick of Lemmington Hall, Edlingham, Northumberland, by his wife Elizabeth Bisset. Maurice had married his cousin Jane Harriot Bisset (d.1866), the eldest daughter of Maurice George Bisset (1757–1821) of Lessendrum, Aberdeen, which manor had been held by the Clan Bisset since 1252, by his wife Harriat (sic) Mordaunt (b.1753) one of the illegitimate children of Charles Mordaunt, 4th Earl of Peterborough (1708–1779) by his mistress Robiniana Brown, who became his second wife in 1755. Maurice Fenwick adopted the additional name of Bisset following his wife’s inheritance of the estate of Lessendrum from her father. His son Mordaunt Fenwick-Bisset inherited as well as Lessendrum, the residual estate, including the Wiltshire manor of Dauntsey, of Charles Henry Mordaunt, 5th Earl of Peterborough (1758–1814), his natural great-uncle, the first legitimate son of the 4th Earl by Robiniana, who died without progeny, and whose brothers top 10 college football uniforms, legitimate and otherwise had all predeceased him. The titles all became extinct. The Mordaunt property was left to Jane in trust as a life-interest, which was inherited absolutely on her death in 1866 by her son Mordaunt. The arms of Fenwick-Bisset of Lessendrum are: Quarterly 1st & 4th: Azure, a bend argent (Bisset), 2nd & 3rd: party per fesse gules and argent, six martlets counterchanged (Fenwick).
He was elected as a Member of Parliament (MP) for West Somerset at the 1880 general election, but resigned from the House of Commons on 18 November 1883 by becoming Steward of the Manor of Northstead.
He served as Master of the Devon and Somerset Staghounds from 1855 to 1881. He accepted the mastership when west-country stag-hunting was at a low ebb. In 1824 the entire pack of staghounds, of an ancient native bloodline, was sold by a previous master to a German Baron. Following this action, the wild deer were almost poached to extinction, the lack of sport having removed the main reason for their preservation in the eyes of the hard-pressed farmers whose crops they damaged. Mr Froude Bellew, MFH, offered a draught from his own pack of foxhounds to anyone who would re-established a pack of staghounds. Mr Bisset accepted the offer. His mastership was instrumental in increasing wild red deer numbers on Exmoor, he improved the breeding of the hounds and built permanent new kennels at Exford, which he donated to the Committee womens sports jerseys. In 1878 an outbreak of rabies occurred in the kennels, and he took the difficult decision to put-down all the hounds on 22 January 1879. He immediately started a new pack the same year, made up from a draught from Lord Rothschild’s Staghounds. He left 13 large volumes of his hunting diaries which became the property of Viscount Ebrington, later 4th Earl Fortescue his successor as Master, whose brother Hon. John Fortescue used them as a basis for his work Record of Staghunting on Exmoor, London, 1887.
He married in 1851 Susan Popham, daughter and heiress of Francis Popham of Bagborough House, Bagborough, Somerset, and rented for his residence Pixton Park, near Dulverton, from the Earl of Carnarvon. He had no surviving progeny and his heir was his sister Janet.
His portrait was painted by Samuel John Carter and was exhibited at the Royal Academy of Arts in London in 1871, under the catalogue description: “A September evening, Exmoor Forest”. A wild stag at bay with portraits; to be presented to the master of the Devon and Somerset Staghounds, Mordaunt Fenwick-Bisset Esq., at the beginning of his seventeenth season by upwards of 400 deer preservers and friends”. The painting was presented to him at a dinner at Dunster on 14 September 1871. He is shown on his hunter Chanticleer surrounded by his favourite hounds, with a stag at bay at Badgworthy Water, Exmoor Forest. An engraving of Bisset standing on a North Devon beach watching a hunted stag swimming away into the sea is published in Fortescue, op.cit., opposite p waterproof cover for bag. 87, with the caption: And there stood the stalwart form of Mr Bisset.
He died in August 1884 and was buried at Bagborough.
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Hannibal is an American psychological thriller–horror television series developed by Bryan Fuller for NBC. The series is based on characters and elements appearing in Thomas Harris’ novels Red Dragon and Hannibal, with focus on the relationship between FBI special investigator Will Graham (Hugh Dancy) and Dr. Hannibal Lecter (Mads Mikkelsen), a forensic psychiatrist destined to become Graham’s most cunning enemy.
The series received a 13-episode order for its first season and, unlike most U purple football uniforms.S. network shows, all future seasons would feature 13 episodes. David Slade executive produced and directed the first episode. The series premiered on NBC on April 4, 2013. On May 9, 2014, NBC renewed Hannibal for a third season, which premiered on June 4, 2015.
On June 22, 2015, NBC canceled Hannibal after three seasons because of low ratings. The series finale aired in Canada on City, on August 27, 2015, and aired two days later in the U.S. on NBC.
The series received critical acclaim, with the performances of the lead actors and the visual style of the show being singled out for praise. The first two seasons won the Saturn Awards for Best Network Television Series and Best Actor for Mikkelsen and Dancy respectively, with Laurence Fishburne winning Best Supporting Actor for season two. The third and final season won the inaugural Best Action-Thriller Television Series, while guest star Richard Armitage won Best Supporting Actor.
FBI profiler Will Graham is recruited by Jack Crawford, the head of Behavioral Sciences, to help investigate a serial killer in Minnesota. With the investigation weighing heavily on Graham, Crawford decides to have him supervised by psychiatrist Dr. Hannibal Lecter. Initially, Lecter – who is secretly a cannibalistic serial killer – works to manipulate the FBI from within, but the bonds he builds with Graham begin to threaten his longevity. Lecter is fascinated by Graham’s ability to empathize with psychopathic murderers, and tries to push the boundaries of Graham’s fragile sanity in order to turn him into a killer himself.
NBC began developing a Hannibal series in 2011 and former head of drama Katie O’Connell brought in her long-time friend Bryan Fuller (who had previously served as a writer-producer on NBC’s Heroes) to write a pilot script in November. NBC gave the series a financial commitment before Fuller had completed his script. On February 14, 2012, NBC bypassed the pilot stage of development by giving the series a 13-episode first season based solely on the strength of Fuller’s script. The series went into production quickly thereafter.
David Slade, who had previously directed the pilot for NBC’s Awake, directed the first episode and serves as an executive producer. José Andrés is the series’ “culinary cannibal consultant” and advises the crew on proper procedure for preparing human flesh for consumption.
Fuller discussed the limited episode order and the continuing story arc he envisions for the series. “Doing a cable model on network television gives us the opportunity not to dally in our storytelling because we have a lot of real estate to cover”. Speaking specifically about the Lecter character, Fuller said, “There is a cheery disposition to our Hannibal. He’s not being telegraphed as a villain. If the audience didn’t know who he was, they wouldn’t see him coming. What we have is Alfred Hitchcock’s principle of suspense—show the audience the bomb under the table and let them sweat when it’s going to go boom”. He went on to call the relationship between Graham and Lecter as “really a love story”, saying “As Hannibal has said [to Graham] in a couple of the movies, ‘You’re a lot more like me than you realize’. We’ll get to the bottom of exactly what that means over the course of the first two seasons”.
Fuller originally planned for the show to run for seven seasons: the first three consisting of original material, the fourth covering Red Dragon, the fifth The Silence of the Lambs, the sixth Hannibal, and the seventh an original storyline resolving Hannibal‘s ending. However, after the conclusion of the second season, Fuller stated he later envisioned the show to run six seasons, incorporating the books into the show in a different way than he originally planned.
Season 3 would use material from Hannibal Rising as well as Red Dragon and include a different origin story for Dr. Lecter; the season ultimately also adapted Hannibal as well. Fuller had intended to include other characters from the book series (such as Jame Gumb and Clarice Starling) provided he can get the rights from MGM. Franklin Froideveaux and Tobias Budge were created because Fuller could not secure the rights to The Silence of the Lambs characters Benjamin Raspail and Jame Gumb. Fuller added they also tried to get the rights to Barney Matthews, an orderly at the Baltimore State Hospital, but were denied, thus a character based on Barney appeared in the second season, named Matthew Brown, but the character ended up being an antithesis to the original series’ Barney. Dr. Bedelia Du Maurier is named after the character in Creepshow and Daphne du Maurier.
Regarding the series’ influences, Fuller stated: “When I sat down to the script, I was very consciously saying, ‘What would David Lynch do with a Hannibal Lecter character? What sort of strange, unexpected places would he take this world?’ I’m a great admirer of his work and his aesthetic and his meticulous sound design. Those were all components that I felt very strongly needed to be part of our Hannibal Lecter story. Between Lynch and Kubrick, there’s a lot of inspiration.” Fuller also cited David Cronenberg and Dario Argento as influences on the series. Fuller cited Tony Scott as an influence for the third season.
English actor Hugh Dancy was the first actor to be cast, taking on the lead role of FBI criminal profiler Will Graham, who seeks help from Lecter in profiling and capturing serial killers. In June 2012, Danish actor Mads Mikkelsen was cast as Lecter where to get cheap socks. Soon after this, actor Laurence Fishburne was cast as FBI Behavioral Sciences Unit commander Jack Crawford. Caroline Dhavernas was later cast as Dr. Alana Bloom, a former student of Hannibal Lecter, and Hettienne Park was cast as CSI Beverly Katz. Lara Jean Chorostecki, Kacey Rohl, Scott Thompson and Aaron Abrams were cast in recurring roles.
Gina Torres, Laurence Fishburne’s real-life wife, has a recurring role as Phyllis “Bella” Crawford, Jack Crawford’s terminally ill wife. Ellen Greene, Raúl Esparza and Gillian Anderson were later cast in recurring roles and appeared later in season one, though Greene actually appeared in only one episode. Molly Shannon, Eddie Izzard and Lance Henriksen guest-starred during the first season.
Several of the actors on the series have worked with creator Bryan Fuller previously, including Dhavernas, who played the lead role in Wonderfalls, and Torres, Greene, Esparza and Shannon, who all appeared in the television series Pushing Daisies. Chelan Simmons reprised her role as Gretchen Speck-Horowitz from Wonderfalls in an episode of Hannibal. Ellen Muth, who starred in Fuller’s Dead Like Me, guest-starred as a character named Georgia Madchen, a nod to her original character and a “reinterpretation of that character”.
David Bowie was approached for the role of Hannibal’s uncle, Robert Lecter, for the second season, but was unavailable for the role. Gillian Anderson returned as Lecter’s psychiatrist, Dr. Bedelia Du Maurier, in multiple episodes for the second season. Eddie Izzard reprised his role as Dr. Abel Gideon for the second season. Cynthia Nixon joined the recurring cast as Kade Prurnell, an employee of the Office of the Inspector General, who is investigating Jack Crawford’s role in the events of the first season. Katharine Isabelle joined the recurring cast as Margot Verger, who was originally described as a potential love interest for Graham, but Fuller later clarified that, as in the novel Hannibal, Margot “… is a member of the LGBT community!” Michael Pitt joined the recurring cast in the role of Mason Verger, Margot’s abusive twin brother. Amanda Plummer guest-starred in the second season, playing Katherine Pimms, an acupuncturist. Jeremy Davies and Chris Diamantopoulos appear in two episodes.
Fuller stated in June 2014 after winning the Saturn Award for Best Network Television Series that they were told by Bowie’s management to ask again for his availability for the third season. He also went on to list David Thewlis, Brad Dourif, Kristin Chenoweth, Lee Pace, and Anna Friel as actors he’d like to appear on the series. For the third season, Gillian Anderson was promoted to series regular after recurring throughout the first two seasons. Tao Okamoto was announced to play Lady Murasaki, Hannibal’s enigmatic aunt, in season three, however, Fuller later confirmed at a PaleyFest panel in New York that Okamoto will in fact be playing the role of Chiyoh, Lady Murasaki’s handmaid. For the third season, Joe Anderson replaced Michael Pitt as Mason Verger, as Pitt decided not to return to the role. In December 2014, Fortunato Cerlino was announced as portraying Rinaldo Pazzi. In January 2015, several recurring roles were cast, including Richard Armitage as Francis Dolarhyde; Nina Arianda as Molly Graham, Will’s wife; Rutina Wesley as Reba McClane; and Glenn Fleshler as Dr. Cordell Doemling. In March 2015, Zachary Quinto was cast in a guest-starring role as one of Dr. Du Maurier’s patients. Izzard reprised the role of Gideon for the season three premiere, although he was initially hesitant about returning.
Fuller stated that should the series continue, whether for a fourth season or feature film, and should they obtain rights to adapt The Silence of the Lambs, Ellen Page would be his ideal casting for Clarice Starling.
Filming of Hannibal took place in Toronto, Ontario, Canada. The first season began shooting on August 27, 2012. The series began production on the second season in Toronto in August 2013. Filming for season 3 began on October 20, 2014, in Toronto, and some filming of exterior and interior scenes were shot in Florence, Italy and Palermo.
On June 22, 2015, NBC cancelled the series. Fuller initiated talks with Amazon Video and Netflix for a renewal. In July 2015, the cast was released after their contracts expired, but Mikkelsen and Dancy have expressed interest in reprising their respective roles if the series is acquired by a streaming service. However, the series has an exclusive streaming deal with Amazon, making finding a new distributor for the series difficult. On July 6, 2015, it was revealed that discussions with Amazon came to an end as a result of early deadlines set by the service as a part of the deal, which Fuller felt would not allow for enough time to conceptualize and produce a new season. Meetings with Netflix were held, but largely due to the prior deal with Amazon, they also decided to pass on the series, and Fuller confirmed the series was still being shopped. On July 11, when asked to elaborate, Fuller commented that Netflix could not renew the series due to Amazon having the exclusive streaming rights, and that Amazon wanted to renew the series, but wanted an immediate debut, while Fuller wanted more time to work on the scripts in advance before shooting. Fuller also stated that he and the producers are exploring the possibility of a feature film diy toothpaste dispenser. Fuller stated after the finale aired that financing for a film is being looked into, as well as divulging his planned Silence storyline and that Starz could serve as a potential renewal due to their relationship on American Gods. Fuller reunited with Anderson to direct a Hannibal-themed ad for PETA, which debuted on November 20, 2015. In December 2015, Mikkelsen stated his willingness to return for a potential fourth season, while also stating that everyone involved would be pleased with the run and success of the series if it does not come together.
In March 2016, De Laurentiis blamed online piracy of the series as part of the reason for cancellation. In May 2016, Mikkelsen commented on a possible revival, stating, “It all depends on Bryan. He is the key, the base, the heart. We will wait and see what happens next in his career. But we all know that we can easily pick this up in two or three years, there are breaks in the stories. We could pick it up, say, four years later. If Bryan is up for it, we will all go for it.” In June 2016, Fuller stated, “The cast is game, I’m game, it’s just a matter of finding the right time where everybody’s schedules sync up, but I would love to continue to tell the story with Hugh Dancy and Mads Mikkelsen. They’re such a fantastic collaborators, and one of the most satisfying actor-showrunner relationships I’ve ever had in this industry. So I would love to continue this story.” He also revealed other information dealing with rights: “Two years after the last airing of the show, we can investigate our options […] August 2017 is when we can actually start talking about it. That’s when we would have to see what the rights are for the character and for the story, and see who’s interested and how we get it done. I have the story, and the cast is excited for the story, so we’re ready to go if somebody wants to go.”
The series’ fourth episode, “Œuf”, which revolves around kidnapped children who have been brainwashed into murdering their own former families, was pulled from the United States broadcast schedule at the request of creator Bryan Fuller. The episode was still shown in other countries. This was not a result of the Boston Marathon bombings as some reports have indicated, but was actually decided just hours beforehand, and was more likely due to the Sandy Hook Elementary School shooting. Fuller said of the decision, “With this episode, it wasn’t about the graphic imagery or violence. It was the associations that came with the subject matter that I felt would inhibit the enjoyment of the overall episode. It was my own sensitivity… We want to be respectful of the social climate we’re in right now”. In lieu of a traditional broadcast, a portion of the episode was broken into a series of webisodes, which was made available through various online media outlets. The complete episode was later made available via iTunes and Amazon Video on April 29, 2013, and the episode appears in the order intended on the DVD and Blu-ray release.
The series was axed by Salt Lake City’s KSL-TV (Channel 5) as of April 29, 2013, after four episodes were aired, and started airing in that market on KUCW, Utah’s CW affiliate.
City picked up broadcasting rights in Canada, where the show is filmed, as a mid-season debut. When Hannibal was moved to Saturdays on NBC in the middle of the third season, City continued to air the series in its regular Thursday time slot in Canada.
In Europe, one year before originally airing, in April 10, 2012, the ProSiebenSat.1 Media Group acquired the rights to broadcast the series in Germany, Austria, Switzerland, Sweden, Norway, and Denmark beginning in 2013. Sky Living started broadcasting the show in the UK and Republic of Ireland from May 7, 2013.
In the South Pacific, the series is also broadcast on the Seven Network in Australia, from mid-April 2013 and in New Zealand, the show premiered on TV3 on January 25, 2014. The series airs in Latin America through AXN. In Middle East and North Africa region, the series is broadcast on OSN.
Reviews for the first season were positive. On critic website Metacritic, the first season scored 70 out of 100 based on 32 reviews, which constitutes “generally favorable reviews”. Joanne Ostrow of The Denver Post praised the series as a “… well constructed, masterfully written piece,” but stated “… this level of violent imagery is not my cup of tea…” She also had high praise for the characters, stating that they are “… so compelling, however, that you may give in to the gore-fest.” Paul Doro of Shock Till You Drop gave Hannibal an 8/10 and said of the series, “The stab at classy horror mostly succeeds due to excellent performances from the leads, genuine suspense and surprises, well-constructed short and long-term mysteries, and an appropriately disconcerting mood that permeates the action right from the start…” and praised Hugh Dancy in particular, saying he “… does an outstanding job of subtlety conveying how painful human interaction is for him, and despite being abrasive and unpleasant, you are always in his corner and really feel for the guy.” Jeff Jensen of Entertainment Weekly gave the show an A- and called it “… finely acted, visually scrumptious, and deliciously subversive.”
Brian Lowry of Variety said Hannibal is “… the tastiest drama the network has introduced in awhile,” and had particular praise for the central trio of Dancy, Mikkelsen and Fishburne. Eric Goldman of IGN gave the series a 9/10, which constitutes a score of “Amazing”. He said, “A prequel TV series about Hannibal Lecter has to overcome a lot of preconceptions … But guess what? None of that matters when you actually watch the show, because Hannibal is terrific.” Linda Stasi of The New York Post gave the series two and a half stars out of four, praising the performances and called it “… The most beautifully shot and produced show on network TV, with many scenes simply and literally breathtaking…” Jeff Simon from The Buffalo News called Hannibal “deeply sinister” and “brilliant.” The Chicago Sun Times‘ TV critic Lori Rackl said, “Hannibal is a haunting, riveting… drama that has the look and feel of a show audiences have become more accustomed to seeing on cable than broadcast,” and concluded that “It’s also extremely well executed… bound to leave viewers hungry for more.” Alan Sepinwall of HitFix called Hannibal “creepy, haunting, smart, utterly gorgeous…” and the best of this season’s serial killer shows. Sepinwall also praised the character of Hannibal, writing he has been made into a believable supervillain without making the police force and others look incompetent. Reflecting on the completed first season, The A.V. Club‘s Todd VanDerWerff wrote that the series acts as a corrective to the “empty” violence on much of television and “restores the seriousness of purpose to a genre long in need of it…. Hannibal is interested in death and murder as a means to glance sidelong at some of life’s largest questions. When not functioning as a cop drama, it’s an intricately twisted serial-killer thriller, but it’s also a surprisingly deep series about psychiatry and the state of the human mind.” VanDerWerff concluded that Fuller had taken a series “that had every reason to be a cheap cash-in and has, instead, turned into one of TV’s best shows.”
Other reviews were less favorable. Glenn Garvin from The Miami Herald called it “a fast-food hash of poor planning and worse execution…”, referring to the writing as “a mess of unmemorable dialogue and unworkable characterizations.” Matthew Gilbert of The Boston Globe was similarly critical, calling the series “rank and depressing,” and concluded that it is “shocking, gruesome, and, ultimately, hollow.”
On Metacritic, the second season scored 88 out of 100 based on 14 reviews, which constitutes “universal acclaim”. On April 10, 2014, Hannibal was voted the winner for Hulu’s “Best in Show” online competition. On Rotten Tomatoes, the second season scored a 100% “certified fresh” rating with an average rating of 9.2 out of 10 based on 24 reviews. The consensus reads: “With powerful imagery and a strong, unpredictable story, season two of Hannibal continues to build on the first season’s promise underwater cell phone case.”
Mark Peters of Slate called Hannibal “an engrossing, psychologically dense show that is also visually stunning… the kind of gem seldom found on network TV.” He did however note that the female characters were less developed. Matt Zoller Seitz, writing for New York magazine heaped praise on the show, calling it “serenely unlike anything else on TV or anything that ever has been on TV.” Alan Sepinwall of HitFix continued his praise of the series, highlighting the performances of the lead actors. The A.V. Club named it the best TV series of 2014, and wrote that Hannibal was “the best, most elegantly designed thrill ride on TV in 2014”.
The season two finale was met with universal critical acclaim. Gathering a perfect rating of 10 out of 10 on IGN, reviewer Eric Goldman stated, “Hannibal ended its fantastic second season with a thrilling, exciting and audacious series of events” and praised the directing by David Slade. The finale also earned a perfect “A” grade by The A.V. Club, where reviewer Molly Eichel called it “an entirely perfect cap to this season.” Den of Geek reviewer Laura Akers labelled the episode “simply divine” and stated that she has “rarely found [herself] looking forward to a show’s return more”. Emma Dibdin of Digital Spy also heavily praised the episode, specifically Mikkelsen’s performance, stating that he is “so convincingly predatory…and so simultaneously scary and sad”. She also laid praise on the sound design of the episode by saying that “the integration of a ticking clock worked so well not just in the usual ‘time is running out’ way, but also a subconscious reminder of Hannibal’s manipulation of Will”. TV Guide named it the best TV episode of 2014.
Season 3 of Hannibal received critical acclaim. On Rotten Tomatoes, season 3 has a 97% “Certified Fresh” rating with an average rating of 8.7 out of 10 based on 29 reviews. The site’s consensus reads: “Bryan Fuller serves up another delightfully demented season of Hannibal, featuring a hearty helping of gorgeous gore, paired with a sweet side of twisted humor.” On Metacritic, the season has a score of 84 out of 100 based on 15 reviews, indicating “universal acclaim”. Joshua Rivera of Business Insider stated that “Hannibal is a show that puts all of its chips on the table, blows up that table, and then builds something even more fascinating from what remains”, and hailed it as one of the best shows on television. Dominic Patten of Deadline.com also gave the first few episodes positive reviews also stating the show returns better than ever. In addition, the acting of Mads Mikkelsen and Gillian Anderson were particularly praised, with Bloody Disgusting writing, “Gillian Anderson’s performance pushes Mads Mikkelsen in ways never thought possible,” while also giving praise to creator and writer Bryan Fuller saying he creates “meticulously detailed scripts that define his characters in completely unpredictable ways.” The review concludes by stating season 3 “re-establishes Hannibal as the best horror show on television.” Chris Cabin of Slant Magazine gave it a very positive review, with four stars, and wrote that season 3 is “even more incisively and ambitiously written than the last season, and sporting the most radically expressive imagery currently on television.” Jeff Jensen of Entertainment Weekly rated it an “A-” and wrote, “Hannibal remains the most engrossing (and gross) serial-killer drama on television, and the most beautiful.”
The first season, including all 13 episodes, was released on Blu-ray and DVD in region 2 on September 2, 2013, in region 1 on September 24, 2013, and in region 4 on September 25, 2013. The region 1 set includes two audio commentaries (by Bryan Fuller, David Slade and Hugh Dancy on “Apéritif” and “Savoureux”), deleted scenes, gag reel, pilot episode storyboards, four featurettes, and “producer’s cut” versions of five episodes.
The second season, including all 13 episodes, was released on Blu-ray and DVD in region 1 on September 16, 2014. Bonus features include episode audio commentaries with cast and crew, several behind-the-scenes featurettes, a gag reel, deleted scenes, and the “Post Mortem” webisodes hosted by Scott Thompson.
The third season, including all 13 episodes, was released on Blu-ray and DVD in region 1 on December 8, 2015. Bonus features include ten audio commentaries with cast and crew, producer’s cut versions of seven episodes, several behind-the-scenes featurettes, a gag reel, deleted scenes, and the “Post Mortem” webisodes hosted by Scott Thompson.
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